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Reblogged from meg's new music blog:

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I always applaud music organizations that program concerts full of fresh pieces by young composers. Thus, though they may have overshot the mark a bit by programming no less than eleven pieces on Friday, I give due credit to NYC-based Quiet City for an ambitious, eclectic performance of new music.

The evening began with "No Hipster Hats" for trumpet and tape by…

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Meg Wilhoite, NY new music blogger, covered the Quiet City Presents show last Friday at the Secret Theatre, upon which I joined a bill of fellow sonic pioneers to present some of the stuff I've been up to recently. I'm happy to repost her writing, which is motivating; I often find it difficult to gauge an audience's interest while in the middle of performing, and so reading that there was visual interest in what I was doing comes as much appreciated feedback. Whereas my personal, internal criticisms are the fuel for seeking improvement, constructive review is a reassurance that I'm communicating with some level of effectiveness. I'll also take a moment to shout out Luke Schwartz and Vasu Panicker - they're doing something quite cool with the Quiet City music network, and I'm eagerly awaiting their future endeavours.

On an airplane, and I’m searching through my phone’s playlist for things I used listen to but don’t really anymore. I came up with this, in order:
• Eric Ewazen Sonata for Trumpet
• Linkin Park Hybrid Theory

Really happy, then really angry.

I found that when I led off with the Ewazen upper, I was too happy to be angry with Linkin Park, and instead just found myself enjoying the band’s sound. The Ewazen gave me a more detailed emotional narrative so that when I came to Linkin Park, the emotions were not affecting me in any way, yet I still find the literal sound interesting enough to listen on.

The two pieces fulfilled two different functions: Ewazen was entertainment for my heart and brain, which like to be stimulated by finer textures, interesting or unique harmonies and tonalities, more specific emotional material.

LP was entertainment for my [soul?], which likes to hear music and sound purely for the aesthetic qualities.

So, two very different pieces of music performing entirely different functions.

For what functions do you listen to music?

For what functions do you write music?

Everyone in America knows what American pop music sounds like.  Here’s what some pop music from a relatively large niche international population sounds like.

Hatsune Miku, the explosively popular pop singer who is literally a synth.

Hatsune Miku, the explosively popular pop singer who is literally a synth.

Downtempo/chill beat: (with some awesome Chinese violin)

Pop/rock ballad form:

And my favorite setting for Miku, trance:

Composed with electronic samples both recorded and synthesized, pop melodies are presented in a sonic palette about as wide as YouTube is big, with the common ground in the singer, Hatsune Miku (初音ミク): a synthesizer in Yamaha’s VOCALOID software with an associative anime character as an avatar. Read More

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